30 Two-Sentence Horror Stories To Freak You Out Quickly

There’s an urban legend saying that the famous “For sale, Baby shoes, Never worn” story by Ernest Hemingway came from a $10 gamble. Supposedly, he made it during lunch with some other writers to prove that he could create a novel in simply six terms. After penning the famous line on a napkin, he passed it around the table and pocketed his winnings. At least that’s the popular version. Whether it’s true or not, the average person is no Hemingway, so we need a few more words to scribble a captivating narrative. And a subreddit called r/ TwoSentenceHorror seems to have found the perfect limit. Two sentences. It’s still short so readers get through the submissions really fast, yet it’s vague enough to give the writers space to work with. Turns out, quite a few Internet users have dark thoughts and the ability to express them. That, or Stephen King made a lot of reddit accounts.

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And since we’ve mentioned Stephen King, the master of horror believes there are three types of terror: “The Gross-out: the sight of a severed head tumbling down a flight of stairs, it’s when the illuminates go out and something green and slimy splatters against your limb. The Horror: the unnatural, spiders the dimensions of the bears, the dead waking up and walking around, it’s when the illuminates go out and something with claws grabs you by the arm. And the last and worse one: Terror, when you come home and notice everything you own had been taken away and replaced by an exact substitute. It’s when the lightings go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turning back, there’s nothing there…”

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To be effective in all of these three fields, an author, according to R.L. Stine, has to get inside their narrator’s head. If we’re seeing through the eyes of a character in a scary situation, we start to feel like we are in a scary situation. “There’s no formula, ” he told AdWeek . “I think you have to create a very close point of view. You have to be in the eyes of the narrator. Everything that happens, all the smells, all the sounds; then your reader starts to identify with that character and that’s what stimulates something really scary.”

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